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PoeticsDownload Now...

by Aristotle (Author)

Poetics
Text Source:Project Gutenberg
Text URL:http://www.gutenberg.org/etext/20685
Language:en
Type:Audio Book, human-read
Description:Not available
Table of Contents:Not available

Amazon.com Information:
Sales Rank: 428064
ISBN: 048629577X
Page Count: 64
Detail Page: http://www.amazon.com/gp/product/048629577X


Download this text: Poetics

Customer Review: Hard To Comprehend Due To The Time It Was Written

Aristotle's Poetics is touted as a "Must Read Bible" for writers, and though it's core principles do warrant merit, they are hard to decipher because: they were written so long ago; they reference plays, instruments, even words, that are no longer in use - and sometimes the words are not even translated; they are spelled out with symbols.

I read it, and found it difficult to follow, but it is a quick read. At least I can tell people that I read Aristotle. That is definitely a conversation starter.

Customer Review: A Classical masterpiece!

Aristotle's Poetics is hailed as the first systematic critical theory in the world. For centuries and centuries, it has inspired writers, critics, and philosophers alike. Aristotle, the father of critics, as many would exalt him, sets the rules for many key literary genres such as Tragedy, Comedy, and Epic. Through comparing and contrasting these classical genres, Aristotle convincingly argues for the highness and greatness of tragedy, as the most mimetic literary genre. Thanks to Aristotle, we are introduced to such eternally important critical terms such as mimesis(imitation), muthos(plot), anagnorisis(discovery), peripeteia(reversal),hamartia(misjudgment), catharsis(purgation). In other words, Aristotle's Poetics is the bible for critics, playwrights, and fans of tragic literature.

Customer Review: Proetic

I have read many books in my time, and this not one of them. I have checked this book out of the library countless times and have never read it. Despite this, I feel that this book should be counted among the greatest books of our time. While I personally deplore Monsieur Aristotle and his mop people, this book is so wonderful that I can overlook my feelings and say "Whozaa!" and "Hallelujah". Anyone who looks at the pictures in this book and is not brought to tears is truly without feeling. My only issue with this marvelous piece of literature is that it is not longer. I could look at pictures forever.

Product Description

Among the most influential books in Western civilization, the Poetics is really a treatise on fine art. It offers seminal ideas on the nature of drama, tragedy, poetry, music and more, including such concepts as catharsis, the tragic flaw, unities of time and place and other rules of drama.

Customer Review: Excellent text for intro to theatre course

This translation uses terminology appropriate for teaching the Poetics to beginning theatre students. It is an excellent version for use in a theatre (as opposed to philosophy) class, and the budget price and slim size of the edition make it a fine bargain for students with limited finances. As a theatre teacher of students from middle school to college, I strongly recommend selecting this particular edition and translation of the Poetics for use in discussing the parts of drama in an introductory course.

Customer Review: Tragedy Teaches Us Something About Life

I read these works for a graduate seminar on Aristotle.
Poetry appeals to human passions and emotions. Powerful beautiful language and metaphor really appeal to emotion. This idea really disturbed Plato, who takes on Homer in the Republic. Plato thought that early Greek poetry portrays a dark world; humans are checked by negative limits like death. Tragedy has in it a character of high status brought down through no fault of his own. Plato says this is unjust. Republic is about ethical life and justice. It starts with the premises that might makes right and then moves onto the idea much like modern religions that justice comes in the afterlife. Plato hates the idea that in tragedy bad things can happen to good people. He wanted to ban tragedy because he found it demoralizing.

Aristotle's Poetics is a defense against Plato's appeal to ban tragedy. Tragedy was very popular in Greek world so Aristotle asks can it be wrong to ban it? Yes, it is wrong thus he decides to study it. Plato says Poetry is not a technç because the poets are divinely inspired. Aristotle disagrees Poetics is a handbook for playwrights. Mimçsis= "representation or imitation." Plato uses it in speaking of painting, thus art is imitation. Another meaning is to mimic, like actors mimicking another person. Plato and Aristotle use it to mean psychological identification like how we get absorbed in a movie as if the action were real, eliciting emotions from us. We suspend reality for a while. Aristotle says this is natural in humans; we do this as children, we mimic. If imitation is important for humans then tragic poetry is worthwhile for Aristotle to study.

Definition of tragedy- "Through pity and fear it achieves purification from such feelings. This is a famous controversial line. Katharsis= "pity and fear" thus the purpose of tragedy is to purge katharsis. Katharsis can also mean purification or clean. There is a debate if it means clarification, through which we can come to understand katharsis. Aristotle thinks tragedy teaches us something about life. Tragedy is an elaboration on Aristotle's idea that good or virtuous people sometimes get unlucky and in the end, they get screwed. Tragedy shows this so we can learn to get by when life screws us. The whole point of tragedy is action over character. Action is the full story of the poem like the Iliad. Character is only part of the action.
Aristotle distinguishes between poetry and history. Poetry is concerned with universals, history is concerned with particulars.

I recommend Aristotle's works to anyone interested in obtaining a classical education, and those interested in philosophy. Aristotle is one of the most important philosophers and the standard that all others must be judged by.

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